I am very pleased with my new lace pottery dinnerware. Each piece came through the glaze firing beautifully. This tableware is thrown on the potter's wheel and made from food safe clay and glaze. They'll be tested in my kitchen before I offer these in sets for sale. This evening, they passed the steak test. yum.



Lace Pottery Thrown on the Wheel

I'm so excited about these I couldn't wait until they were fired to share them. I made a set of battenburg lace printed plates on the wheel. I love how this dogwood pattern takes waterfall brown glaze- the glazed plate shown is slab built, but I wanted to do them on the wheel. I'm pleased so far. If they turn out well, the first set is mine!

Primitive Back Yard Firing #2-

No cracks on this one- Sandy clay, right from the ground, no additional sand added.

Primitive Firing- Making Pottery Without a Kiln

Success! I fired my "homemade" clay-(see my previous post for directions to dig and screen your own clay)- in my little backyard fireplace. I learned so much and it was really fun so I plan to do it again soon. Besides, I've got 15 lbs of clay to play with.

If you try this, BE SAFE. Two of the pots exploded- not a project for kids without close adult supervision, and safe practices- protective clothing, face gear, tongs, gloves- you get the picture.

My initial feelings after reading a few articles and having a few failures was that moisture was my enemy. That seems to be only part of the issue. Thermal shock also matters big time. The 2 pots that survived had alot of sand in the clay- some of which came from the ground already in the clay, some of which I added to one of the pots. Too much sand and the clay is "short" or cracks easily as you work it. The pots that made it were kind of cracky, but I could still throw the clay on the wheel. I will add ball clay to my next batch (to make it more plastic) and see what happens.

Another thing I learned was to be patient in preheating the pots. I did kind of just put a couple right into the coals, and they blew up within 5 minutes. So, the others were put along the side of the fire and gradually moved in over probably an hour to 90 minutes time. So, I guess patience is my enemy..live and learn.

Here's a link to a slideshow with more pics and notes on the process: http://www.youtube.com/watch?v=K75WSPRqcU4&context=C4d56c4dADvjVQa1PpcFMLykouOR9nAv5Ciy6rSmO-AaNmzT-fMeU=

Pottery "From the Ground Up"

I have recently become interested in making pottery without using a kiln. This summer I am teaching a pottery class at Camp Asbury titled "From the Ground Up." The focus is on making tools, preparing clay from the ground, and primitive firing.

Step 1. Clay. Easy to find in Ohio, just dig a hole and it's there. Step 2. Let it DRY. Completely. Then, add water and it will disintegrate and slake down into fine mud. Mix it up, and screen through an old metal window screen to remove, sticks, stones, stuff you don't want in your clay. Step 3. Dry your slurry into workable clay. This can be done by putting the slurry in an old pillowcase and leave it out on the concrete. I have a plaster top wedging table where I dry my clay. Hardi backer cement board or old drywall would also make a good surface. NOTE: if you use a plaster surface, DO NOT get plaster into the clay.

Once the clay is a workable consistency- test it by squishing it up until it feels right. Then, you can make some pinch or slab pots from the clay. I made 4 pots for my first test firing.

Pot (A) is homemade clay with white stoneware mixed in and "marbled."

Pot (B) has brown stoneware added, because I felt the clay right from the ground was a bit cracky, or short.

Pot (C) has some sand added to the clay, which made it even more cracky.

Pot (D) has nothing added and is thrown on the potter's wheel.

I tried to keep the pots even in thickness, no thinner than 3/8" - 1/2". Also, I have placed the pots in my kiln to preheat at 200 degrees for several hours. I have never successfully fired green clay in an open fire without cracks and explosions. I'm convinced that moisture is my enemy. Smarter people than I have been doing this for thousands of years, so what's my problem?? My attempt to be SURE that the pots are really dry is to preheat them for several hours in my kiln. This could also be done in an oven.

Keeping my fingers crossed and hoping to have pics of fired, undamaged pots later!

This is my latest, and best, barrel fired pot to date. I fired it while working with some kids at Camp Asbury. I usually use primarily salt and miracle grow in newspaper saggars, but this time I used some commercial fertilizer pellets that they had on hand at the camp. I'm really pleased with the results. The pot is now in the student/faculty show at Valley Art Center.

I had some crackling and peeling of the terra sigillata- so I intend to change my recipe and try applying it thinner. Also, there is a bit of salt scumming on the surface of the pot. Too much salt?
The color, though, is right where I want to be.

Barrel Firing Again..

This is one of the pots I fired last time in the barrel. Lots of smoking because I kept the fire covered with a grill cover- not alot of color because I skimped on salt and miracle grow- I didn't see any real effects from the corn husks and so I didn't go through the drying and brining this time..

Here is a pot from this firing- colorwise, my favorite. I only bisqued these pots to ^019- they were very soft and brittle- I will go higher next time with the bisque. Also, the terra sig crackled and peeled in some places, and this pot spalled. I used alot more miracle grow, table salt, and aquarium salt in the newspaper saggars with pine needles and tiger grass. I will apply the terra sig more thinly next time- and the spalling???? The only thing I can think of is that the aquarium salt was kind of wet when I put it in the saggars, maybe the pots absorbed enough of the moisture to develop this problem.

This pot ended up with a chipped rim and crackled sig- a little spalling, but much more color than my first barrel firing- I fired this time without covering the barrel at all, so I believe there is alot less black because of it. I did have to use a leaf blower to get the shavings/horse bedding to light- I may loosen things up a little bit with more straw next time. Bulk of the firing took about 5-6 hours.

This pot is from the first firing also- lots of smoky black, enhanced by furniture paste wax. I also tried Rain-X car wax- it polished well, but the stuff dries blue, so if there are crevices you can't get into with a rag, it leaves marks on the pot :( So, paste wax it is..

All in all, I was pleased enough with the colors in the firng that I definitely will do it again. I also tried some china painting on some of the pots, but I did not get enough heat to set the china paint in some spots. I won't prefire the china paint because of the lead- I will not contaminate my kiln. It's got potential, I just need more heat.

On another note, I did get a small freebie kiln- I think there may be raku in my future.